The University of Guadalajara, through a project created by the Environmental Sciences Museum as part of the University’s Cultural Center, and with the support of the Guadalajara International Book Fair, has established the José Emilio Pacheco City and Nature Award. The prize, which will be given for the first time this year, will be dedicated to poetry. The winning author, who must write in Spanish and have at least ten unpublished poems or poems published in the last five years that are related to nature, urban sustainability, socio-ecological harmony and environmental conservation, will be given a purse of US $10,000. The award is dedicated to poet José Emilio Pacheco, whose work explores the duality between cities and nature.
Created by the University of Guadalajara, and with the collaboration of the National Institute for Indigenous Languages, the Culture Ministry, the National Commission for the Development of the Indigenous Cultures and Jalisco’s Department of Education, the American Indigenous Literature Award is granted to enrich, protect and promote the legacy and richness of Mexico’s indigenous peoples through literature in all its forms, and to and acknowledge and further develop the careers and works of indigenous authors. The award, which carries a purse of US $25,000, will be given for the fourth time at the 2016 FIL Guadalajara.
The SM Ibero-American Award for Literature for Children and Young People was implemented in 2005, the year of Ibero-American literature, with the goal of promoting literature for children and young people throughout Ibero-America. The award is given out each year during the Guadalajara International Book Fair to recognize writers of literature for children and young people and carries a purse of US $30,000.
Juan Carlos Quezadas
Karime Cardona Cury
With the goal of creating a network that helps to encourage the work of illustrators of books for children and young people in Ibero-America, the SM Foundation and the FIL Guadalajara invites illustrators to submit their work to be included in the Annual Ibero-American Illustration Catalog. The 45 works selected will be displayed in an exposition at the Guadalajara International Book Fair. In addition, illustrators will have the opportunity to work on an illustrated book with Ediciones SM and the winner will be given US $5,000. You can find more information at: www.iberoamericailustra.com
Program Search
Annual International Publishing Design Forum
Activities for Professionals
Annual International Publishing Design Forum
The Character of Editorial Design Through Typography
The Faces of Typography in Editorial Design
The Guadalajara International Book Fair (FIL), in collaboration with Anáhuac University Mexico, will celebrate the tenth edition of the International Forum on Editorial Design. This year, the focus will be on the importance of typography in editorial design.
Typography not only serves as a vehicle for textual communication but also plays a crucial role in the aesthetics and readability of any publication. From the selection of typefaces that convey unique editorial styles to the adaptation of typography for various modern media and formats, this forum will explore how typography defines the visual narrative of stories and editorial content.
More than just a functional tool, typography is a critical element in the identity and expression of contemporary publications, directly influencing how readers perceive and engage with content. Thus, this event will provide a space for reflection and learning, where participants will share knowledge, experiences, and perspectives on the significance and evolution of typography in editorial design.
Activities for Professionals
Annual International Publishing Design Forum
The Character of Editorial Design Through Typography
Typography is at the Heart of Editorial Design: It is fundamental in interior layout and defines the tone and essence of covers. It also complements other graphic elements such as illustrations, photographs, and ornaments. Each typographical choice contributes to the character of the prose, content, and style. The training and decisions of the editorial designer are essential for correctly interpreting these signs and seizing opportunities to make the work stand out even more.
Participant: Leonardo Vázquez
Leonardo Vázquez
Leonardo Vázquez treats the editorial profession as a dish to be enjoyed from its planning stages. A typographer trained at the National Typography Research Workshop in Nancy, France, Leonardo carefully selects the editorial ingredients: the paper to choose the format, the precision of the text box, and the primary ingredient, typography, to provide structure, accents, and spaces for fluid reading. With well-chosen guards and a cover, the book is prepared slowly and without haste, savoring and enjoying each page.
Leonardo holds a Master’s in Critical Theory and has worked with private publishers, government entities, and NGOs. From his studio, macizo.com.mx, he tackles editorial challenges with new formulas and ingredients that leave readers satisfied. He is the founder of the Mexican Typography Association and the creator of the typographic classification system Wikitype. He has designed typefaces such as Señal México for Mexican highways, Lectura for the editorial Artes de México, and Algarabía for the magazine of the same name. He has also taught undergraduate and graduate courses in public and private educational institutions in Mexico.
Other activities involving the participant:
Design Beyond the Book: Publishers Who Understand Typography